-
Exhibitions
- Vanity Fair | Tayeba Begum Lipi
- Tayeba Begum Lipi
-
Go Against the Flow
-
The Hell is Empty
-
Controversy
-
Once in a Blue Moon
-
Changing Room
-
Vanity Fair
-
Break the Ice
-
Boss Lady
-
Barbed Outfits
-
Tayeba Begum Lipi, in conversation with Naeem Mohaiemen, Studio Mahbub & Lipi, Hasnabad
-
T-shirts: What if I’am Modeling
-
Flattened Skirt
-
A Swim Suit for You 2
-
A Swim Suit for You 1
-
Fits on You 2
-
Fits on You 1
-
Trendy Blouse
-
The Tank Top
-
Never Tried 3
-
Never Tried 2
-
Never Tried 1
-
Replicated 4
-
The Lace Top
-
Replicated 3
-
Replicated 2
-
Replicated 1
-
The Colombian Boots
-
My Leather Slippers
-
The Italian Black Heels
-
Not for Me 4
-
Not for Me 3
-
Not for Me 2
-
Not for Me 1
-
My Boots
Vanity Fair
by Tayeba Begum Lipi
Curated By Anushka Rajendran
Tayeba Begum Lipi’s recent body of work that is part of ‘Vanity Fair’ addresses the irony embedded in the commodification of art, especially, art that represents movements that are staunchly critical of the economic circuits that they are likely to traverse. Known for her feminist art practice that has over the years called into question the brutal ways by which overarching patriarchal structures have confined women, and subjected them to physical as well as psychological violence, the artist is also self-conscious of the way her own work, as well as the work of other explicitly political artists are being subsumed and appropriated by the logic of the capital in an art context that is undeniably yet to shake off deeply rooted sexism. While the presence of such work is subversive in itself — to be seen, recognized and heard — making emancipatory dents in the system, this exhibition goes a step forward in acknowledging the toxic masculinity that is easily able to appropriate and divert resistance movements to its own benefit. And art is not alone. This logic of technocratic late capitalism seeps into civilian movements as well. In the current context that we occupy, who is able to completely ameliorate cultural production to a position where it is completely untouched by the neo-liberal patterns of production and consumption that unconsciously inform our thoughts, behavior and aspirations? The exhibition is an introspection of this conundrum. During ‘Vanity Fair’ the gallery becomes a shop, in the most literal sense of the word. Come, browse for a brand of resistance.


Frieze | 30th Jan 2019
30th Jan 2019
Critic’s Guide to New Delhi: As India Art Fair Returns, the Best Shows in Town by Skye Arundhati Thomas

Ocula | 25th Jan 2019
25th Jan 2019
India Art Fair 2019: Exhibitions to See by Kanika Anand


Sunday Guardian Live | 12th Jan 2019
12th Jan 2019
Sunday Guardian Live
